‘Bib Skirt’: BurdaStyle 10/2020 #118

Bib skirt. Burda. Really? What were you thinking? You have to hope it sounds better in German.

Brooklyn Farm, at which some of this pinafore was sewn, provided the most wonderful backdrop for these photos.

It’s allowed to look great – it was a movie set.

Of course once the pinafore was made it needed a top to go with it. Never mind that this orange top looked great with it. Especially with magical late afternoon light.

So far two tops have been made.

The first one is Simplicity 8982 – a simple long sleeved T shirt in an Australian aboriginal art print. Accessorized with a Venetian mask. Don’t ask me why.

The second is a Wilder top in Liberty tana lawn

Not yet actually worn with the bib skirt. But has been worn with a similar Burda pinafore made a couple of years ago.

So, let’s talk about the technical details.

The bib skirt is Burda Style 10/2020 #118 made up in a mid wale cotton corduroy from Spotlight. It’s a size 40 skirt and size 44 bib and straps (I drafted out to a 44 at the top of the bib pieces from a 40 at the waist – this adds 1.5 cm in length and width to each bib piece). Easiest FBA I’ve ever done!

Flannel Skirt 118|Burda Style 10/20

The skirt is lined with bemsilk and the bib and waistband with a slippery poly woven with a paisley design in a sort of jacquard from deep stash. Because I didn’t have enough of either to do both parts. The buttons are vintage – purchased from a second hand shop in Greenwich, UK, on holiday 4 years ago.

The wilder top was made from Liberty Tana lawn purchased from Liberty in London with Felicity 5 years ago on holidays. I’m seeing a theme here. Holiday purchases and time in the stash.

I added 22.5 cm to the length and 10 cm to the width of the sleeves. Then brought the volume back in with an elastic cuff (turned up 12 mm and then 25 mm to form the casing and inserted 20 mm elastic).

Hardly enough change to qualify as a pattern hack but I couldn’t resist using this label!

And the Simplicity 8982 knit top?

I had limited fabric so I cut this top out width wise (by that I mean with the hems of the sleeves and bodices aligned with the selvedges).

Not really a hack nor was the fabric a holiday purchase or a stash dweller. It’s a rayon spandex knit printed with one of Pauline Napangardi Gallagher’s designs, purchased from Spotlight and sewn up within a month. There’s more about this talented artist here.

Pinafore? Bib skirt? Whatever. It was fun to sew, and has already been worn more than just for the photo shoot. #winning.

And, talking about photo shoots, the Brooklyn Farm chickens weren’t going to let an opportunity pass them by. If their door was going to feature in my photo shoot then they made sure there was also a photo of them at our door.

Corduroy trousers: BurdaStyle 03/2019 #102

Felicity and her seamstress (that would be me) are still taking inspiration from the seventies.

This time it is in the form of dark caramel coloured corduroy utility trousers. I know. It’s not the quintessential flares, but it is in orange/brown tones, and corduroy. That’s seventies enough to me.

The fabric is a mid wale cotton corduroy from Spotlight with just enough give in the fabric to be very comfortable to wear. How do I know that? They got worn for three days straight as soon as they were off the sewing machine. There are plenty of wrinkles because these photos were taken on day 3. I don’t think she slept in them, but I wouldn’t be surprised…

I used Burda’s utility trouser pattern from the March issue this year 03/2019 #102

770x967_bs_2019_03_102a_heft_large

I made these in a straight size 40 and added 5 cm extra to the length. Plus a 4 cm hem allowance. Woefully inadequate. They needed 14 cm extra to the finished length, which we both agreed looked best as a band with the wales running horizontally.  For the record, Felicity is 178 cm tall, but is short waisted so her legs could be longer than standard for that height.

All my photos are barefoot, so she turned the band up like a cuff, but, trust me, it is the traditional trouser length with flat shoes on.

The belt loop is something fabulous from the stash that originally came from a designer fabric sale. Any Adelaide readers still remember Gay Naffines fabric sales fondly?

I lined the front pockets and belt loops with a leafy green charmeuse remnant.

You can’t really see it ( I worked hard on that!). It has been reported as feeling great. And this is more what the colour is like in real life. The outdoor light with the autumn leaves seems to dull it a bit.

I also added an extra patch pocket to the back.

with one of Kylie and the Machine‘s great tags.

Slow fashion. That’s me.