Knit evening dress in “action”

Thank you for your lovely comments on my knit evening dress.

Here I am on the night with the gloriously glamourous and wonderfully gracious Catriona Rowntree, the MC for the event.

Catriona was wearing a dress by a local Australian designer, Rachel Gilbert. She was stunning.

Thanks to the Hon. Senator Sean Edwards for the iPhone snaps. He understood my need to have a photo of Catriona’s dress and made it happen!


We were away for the weekend at Pt Willunga a few days later. I could have taken my evening wear out of the suitcase before I put my swimwear in… but I did hope that a beach photo shoot could be possible..

He who Cooks graciously agreed.

The godet at the back.

It was very windy, and very bright. Windswept hair and sunglasses was the only way to accessorize.

Unless I needed a wrap..

The organza wrap was the perfect colour for this dress. Thanks Jann!




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Knit dress #3; the evening version

I’m on a knit dress roll.

What better than a metallic knit to make an outfit for a black tie event? Especially when you are time poor? And that metallic knit is already in your stash?

The back story to this knit was another evening dress that needed to be made in a hurry several years ago. I used this same fabric in a lovely Burda magazine pattern from 2007 (12-2007-109).

I loved this dress. It was before I was blogging or even posting on Pattern review and, sadly, I have no photos to share. The Slapdash Sewist has made this pattern too, but as a short version. I agree with all her comments about the dress!

Fast forward another few years and the dress was adjusted to fit Felicity for a school costume party. That was its demise. All I had left was the rest of the fabric.


Technical details

Pattern: Vogue 1250

Size: I made a 16. Last time I made a 14 and thought it was a bit snug. This one is a teeny bit less fitting than it could be. A 14 was probably about right.


Knit synthetic with metallic thread, a bit on the sheer side with only width wise stretch, not lengthwise. The pattern calls for four way stretch. As it turned out, the lack of four way stretch in this metallic knit as a maxi dress seems not an issue.

I underlined the dress with a black viscose knit. The viscose knit has four way stretch, so I basted the lining and fashion fabric together by machine with the lining underneath (and let the feed dogs control the lengthwise stretching for me!). Sewing the seams was then without incident. Without the basting I got a horrible puckered mess.

I used a long straight stitch on a regular sewing machine for all the seams then overlocked the raw edges together, with the overlocker seam on top of my straight stitch. Hopefully that will give enough stretch to the seams when I wear it to the event.

The only exception to constructing the dress this way was the cowl edge and the back neck edge. For these two I treated the lining like a facing. Then flipped it over and basted the other edges together as if the lining was an underlining.

It’s made a lovely neat finish to the cowl under lap and the back neck edge.

For the sleeve edges, I overlocked the lining and outer fabric together, turned it under and then hand stitched.

This lining feels divine (just like it does in the vase dress!)



Other changes I made:

As you can see, I lengthened this to a maxi.

To add a little bit of drama to the hem, and for walking ease, I added a godet to the hem. It is one layer only (no black viscose lining) and about 40 cm in length on both sides and across the curved bottom edge.


The ‘hem’ is a raw edge. time poor. did I say that already?! Lets hope this dress stands up to the event!

The event is in Canberra, our national capital, tomorrow night, and early spring means overnight lows close to freezing.

My wonderful sewist friend Jann has loaned to me one of her hand crafted silk organza wraps for the event to add a bit of warmth. It is just the perfect colour for my dress.

I still might need leggings underneath …




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Another boring knit dress?

Not with this fabric!

I wondered about my chances of keeping this fabric for myself. There was a remote possibility. I might have even mentioned this, while it was being cut out at Stonemountain and Daughter fabrics, to the San Francisco Sewing BABES who organised a fabric shopping meet-up for me in Berkeley …

Very remote as it turned out. Felicity loves bright fabrics as much as I do, and when I suggested this fabric wanted to be a maxi dress with a solid back, that remote possibility turned to zilch.

This fabric was a 90 cm wide panel running selvedge to selvedge with orange and yellow and hot pink stripes at each selvedge. Now all I have is teeny tiny scraps.

I didn’t even have long enough scraps to cut the neck binding in one piece. I could have if I used black, but I thought yellow would look better. There’s a join just south of the shoulder seam, and the underside of the binding is pink.

I really got my money’s worth out of this piece of fabric!

The front was cut out with grain running selvedge to selvedge; in other words, aligned with the weft, not the normal way aligned with the warp. That means maximum stretch runs up and down the body.

Felicity is tall, so the dress runs selvedge to selvedge on her.

This fabulous fabric makes it look like I’ve been very creative with stripe and print matching.

The back is a black viscose spandex knit (the same fabric I used it as lining for the scuba knit vase dress). I cut the back with the grain line the same way as the front. Both fabrics have excellent four way stretch and there is still at least 50% stretch around the body, so it all worked.

The sleeves are the only pieces were cut “properly” on the warp grainline, because that’s the only way I could fit them onto my fabric.

Not much more to say really. This is Closet Files Nettie Bodysuit as a dress and its super fast and easy to make: shoulder seams with a ribbon to add stability, neck binding, sleeves inserted in the flat, sleeve and side seams in one pass, then double needle hem on the sleeves. No skirt hem because it’s the selvedge, and Felicity likes the length as it is.

Cut out and sewn up in an afternoon. Gotta love knits!

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Scuba knit vase dress

It’s done!

So glad I took your advice and used this pattern. I love the shape. It will work with a thin merino top underneath and tights for cooler days, and on its own for warmer spring weather.

Technical details

Pattern: BurdaStyle 09/2012 #121

Size: 17-21 (petite equivalent of 34-42). I made a 21 with a 1 cm sway back adjustment and an extra 4 cm in length in the skirt.

I’m not petite but I am short-waisted, so Burda’s petite sizing works well for me. I just need to add a little to the skirt length and check sleeve length.

After flat pattern measurements I added 6 cm extra in width across several pattern pieces. I then took 5 cm back out after trying the dress on. It would have been fine as drafted. The only piece that I didn’t change is the front vase shape. This is an extra 2 cm wide. Because the back doesn’t have an extra 2 cm, the neck gapes ever so slightly.


The floral is a poly lycra scuba knit from EmmaOneSock, the black is a ponte (viscose nylon spandex) from Tessuti’s. I lined the dress with a viscose spandex knit from one of my local bricks and mortar stores; DK fabrics. This knit is not sold as lining, and it would make an awesome drapey top, or dress or leggings, but it’s also wonderful as lining. It makes wearing the dress feel like wearing pajamas.


I used a narrow zigzag stitch for the seams of the ponte and scuba knit.

Neither of these fabrics fray so overlocking wasn’t needed. A narrow zigzag meant I could press the seams allowances open and flat.

The neckline needed to be stabilized, but my knit lining was too stretchy to take fusible interfacing and I didn’t want to add extra bulk with a ponte facing. So I trimmed the seams at the neck line

and then fused the interfacing to the fashion fabric. I pinked the edge to minimize show through on the right side.


I under-stitched the lining at the neck edge and the sleeve edges, and then, to make even more sure it stayed in place, I stitched through all layers ‘in the ditch’ of the shoulder seams


Allthoughtswork suggested I style this dress with hair up, turquoise purse, metallic gold sandals, steaming cup of take out coffee in hand, and a hot guy waiting in the car. Sounds good doesn’t it?

How’d I go?

  • Hair up? yep
  • Turquoise purse? still working on that
  • Metallic gold sandals? not warm enough for bare legs today
  • Take out coffee in hand? wrong location
  • Hot guy waiting in the car? He who Cooks was taking the photo instead ;-)


Final musings

I had thought about adding hot pink topstitching to the interesting curved darts at the back, and an exposed zip, but I’ve done neither, so far. No need for a zip in this ponte. Not sure about topstitching. What do you think?




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The dilemma has been solved

My cluttered sewing nook is now graced with this work in progress.

Yikes, it that a rose on Eliza the dressmaking dummy’s breast?

In my eagerness to get the all the bits I liked onto a fairly narrow panel it looks like I have managed to centre a rose almost perfectly over a nipple… Let’s hope the viewer’s eye is drawn away by the diagonal swathe of pink!




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The dilemma of which pattern

Thank you for all your lovely comments on the blouse I made for Felicity.

I’ve made a lot of stuff for her recently. But now, the selfish seamstress in me has forced its way out: the next project is going to be all about me!

Using this delightful scuba knit from EmmaOneSock

Why is it this fabric, apart from it being gorgeous?

It’s thick.

If I delay too long, it will be summer and a scuba knit is too thick to be summer weather appropriate in Adelaide. So it has jumped to the head of the queue.


This fabric has already been very clear that it wants to be a colour blocked dress partnered with black.

I have two patterns vying for its attention.

BurdaStyle 09/2012 #121


My Image 1412 (thank you Melissa of FehrTrade for gifting me with this)


I love the bottle shape of the insert in the BurdaStyle one and the cute cut-on cap sleeves and the wrap around side seams but I know the My Image pattern will be more practical with its longer sleeves. And I have no doubts about how good it will look: Timmithea has already made this pattern up with this same scuba knit and black lace.

Perhaps I should redraft the My Image dress centre panel to be more like the BurdaStyle one?

So, dear readers, which pattern do you think it should be?

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Does this blouse measure up?

I was so torn this last weekend.

I have a stack of beautiful new fabrics from San Francisco.

But I also had a cotton blouse cut out for Felicity from fabric from Scotland. This project was sitting, waiting for me by the sewing machine.

So I was a good little sewist mum and worked on the project for her.

Yes, Felicity loves this yellow skirt and is very happy to have another thing to wear with it!

Technical details

Pattern: BurdaStyle 10/2012 #122

I like the architectural lines of this style. Merche made a great plaid version.

Size: 36-44, I traced off a 40 then added a 3 cm FBA. It’s a bit loose under the bust so I probably should have taken it back in at the waist in a bit. The bagginess is obvious in this poor posture photo.

However, Felicity is perfectly happy with it and it was worn all day, so that means it will probably never be adjusted.


This cute cotton was purchased in Edinburgh. It was only 110 cm wide. I was very happy to manage to squeeze this pattern out of my 2 metres! The printed plaid wasn’t quite on grain, so that added to the challenge.

Due to these constraints, some of the seam allowances were not exactly generous and the sleeves became bracelet rather than full length. She is just missing the bracelet in the photo below!

The shoulder flaps are cute aren’t they? They are like a yoke but only attached at the shoulder seam and armscye.

They are cut out doubled so they end up with a fold at the lower edge. BurdaStyle suggests finishing and turning in the neck edge, but I sewed these edges together with right sides to right sides..

..and then turned the flap so the right sides were outside. This made it neater, but also a bit flatter and less like a looped piece of fabric.

The style only had 5 button holes but I felt more buttonholes would be better for the size of button I had and for the design. So I made 7 button holes. Then I realised I had only 6 yellow buttons.

The one red button at the top is a design feature ;-)



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More fabric shopping in San Francisco

Fabric shopping with fellow fabricaholics is the best. See my previous post if you need to be convinced.

Fabric shopping at places recommended by the local fabricoholics is also pretty good.

I was lucky enough to do both.

Britex Fabrics

The locals said that Britex was high end and expensive, but worth a visit. It was just around the corner from my hotel, so of course I went.

Expensive? Yes.

It’s location alone would demand that – sandwiched between Chanel, YSL and other designer names.

I expected this visit to be similar to a museum visit. I would ooh and ahh but nothing would be bought.

It was like a museum visit. It is a beautiful store. The silks, boucles and wools were exquisite. And beautifully displayed.

The trims were lovely. And the selection of buttons extensive.

And, to my surprise, there was a rayon challis with my name on it on the sales floor



Fabrix isn’t downtown but was very easy to reach by bus.

It was, as described by the locals, the polar opposite of Britex.

It is not a beautiful store. Fabrics are arranged by price rather than fiber or colour.

The prices are very good.

I restrained myself and bought only one piece of fabric, a printed poly satin with a silk like look and feel.

And this 20cm wide guipure lace could not be resisted, not at $10 per yard!


Thanks to everyone for their great advice. I highly recommend all four stores I visited in San Francisco, and of, course, meeting up with the sewing BABES was the best fun.

My fabric stash has been enriched.

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San Francisco sewing BABES Berkeley meet up

I have some new sewing friends:

Jennifer, Wendy, me, Heather, Jilly and Glenda, from the San Francisco Sewing BABES group

What a great group they are. I was welcomed and felt at home straight away. Sewists are the best people!

They took me to lunch in Berkeley and then to two great fabric stores; Stone Mountain and Daughter and Piedmont Fabrics


Stone Mountain and Daughter Fabrics.

I loved the atmosphere in this shop. Suzan Steinberg (the Daughter) and her staff were genuinely welcoming and love fabric. There was a warm positive vibe to this store. What can I say? I was in Berkeley.

The shop is medium sized with a lovely selection of knits, silks and wools, plus lots of cottons. The quality was good and the prices reasonable (just like those in the know said on the last post). Upstairs is a space for classes, and the half price bargains.

Part of the cotton selection.

I found some wonderful rayon knit panels.

The pink is a 70 cm square, repeated twice across the width of the fabric. I have two panels.

The bright rainbow butterfly print is one panel running the width of the fabric (140 cm) and 90 cm across. Only half of it is in the photo. There is a solid border both ends, about 20 cm deep. I have one panel of this too. I’m thinking it will be a dress, combined with black.

This lovely silk charmeuse was half price.

And a bargain polyester chiffon made its way into my bag too. I do like a classical themed print!


Piedmont Fabrics

A short drive took us to Piedmont Fabrics, another shop in Berkeley. This is smaller shop, but again a nice selection of fabrics and notions, includes some pre-loved (vintage) buttons

Outside the store, hugging my purchases.

Polyester stretch lace

This piece of charcoal and blue wool embroidered cotton needed to escape from the remnant bin.

This stunning fabric has beautiful texture and sheen. It had to come home to Australia.


Thank you Heather, Glenda, Jilly, Wendy and Jennifer. I had an awesome time!


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Advice needed on fabric shopping in San Francisco

What advice can you give me? Apart from ‘take large bags and a credit card, and don’t exceed your luggage limit’?

(image source)


I’ll be in San Francisco next week for an American Chemical Society Meeting. I have some time free on the last day before I start the long and boring plane flight back to Australia. Thanks, Qantas, for scheduling flights out of the West Coast at midnight!

Last time I was in San Francisco I stumbled on a vintage fabric shop (Urban Burp) by accident. This was an awesome store, and I have a skirt to remember it by but the shop has moved since and is temporarily closed.

So, where should I go?

My googling tells me I could try these spots:

What do you think? Have I missed something? I’m staying close to Union Square, I’ll be relying on public transport and have about 5 hours to shop…

And if you’re in San Francisco next Thursday, would you like to meet up?


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Daffodil yellow skirt

Hurry up Spring. We are ready and waiting for you.


I used a Burda pencil skirt pattern that I had used before for Felicity. The woven version was close fitting, almost a bit too much so over the hips and thighs. So that sounded about right for the double knit fabric that I was planning to use for this skirt.

BurdaStyle 08-2012-111

The top of the skirt sits just a smidgeon below the waist. I extended the pattern up by 6.3 cm (twice the width of the 3 cm elastic plus some for turn of cloth) to make a ‘waistband’.

After stitching the darts and the side seams of the skirt and ‘waistband’, I overlocked the elastic on to the wrong side of the ‘waistband’ then turned it over. The elastic was cut to Felicity’s waist measurement and the skirt is very close to this measurement too, so there was very little stretching required getting the two to fit

A tag at the back makes a simple elastic waist skirt easier to put on the right way and, yes, it is true to name. The fabric is a rayon double knit from Gorgeous Fabrics purchased a while ago.

I secured the elastic waist band down by stitching in the ditch at the side seams and through the darts

The double knit made the darts thick, so I cut them down the centre and ironed them flat before attaching the elastic

No seam finishes needed with this fabric.

The pattern had a back shaped seam and a kick pleat. I didn’t want either of these in a knit version, so I placed the pattern on the fold with the centre seam touching the fold at about thiugh level, then compensated for the bottom and top curve back in by taking the sides seams in an equivalent amount and adding width to the darts.

The fit is okay so this must have worked alright.

There’s a bit of angling out of the bottom hem at the front. The side seam is hanging straight so perhaps I should have pegged the side seams a bit more. Any ideas?

It’s not noticeable IRL, but so obvious in the side view above!

I didn’t use knit tape when I hemmed the skirt with a double needle. This double knit was beefy enough to not tunnel or stretch out.

So easy.

Double knit. Elastic waist. Some darts, two seams and a hem.

Just add a Nettie body suit, your favourite tights and cute boots and you’re ready to roll.


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Poodle coat finished and modelled

I think she likes it…

I like it too.

It looks great and it feels wonderful.

The fit is good too

Perhaps a bit big through the shoulders and back (but that means it fits me too… not that this was planned!)

You can just see the grey marl ponte under sleeves in the picture above.

I used the same ponte to attach the toggle buttons.

So far everyone has wondered why I didn’t use black leather. Clearly, matching the under sleeves is not being noticed!


I’ve never made anything with toggle buttons before and no-one in the house has anything with toggles for me to copy, so there was some experimenting.

I played around with bits of the ponte and the coat on Eliza the dressmaking dummy. Then I went shopping with a square of ponte and the coat.

Adelaide Arcade’s Button Bar came through again.

I tried quite a few toggles and buttons in the shop and settled on some lovely shiny black parallelogram buttons. Yes I am a math nerd as well as a sewing nerd.

The Button Bar didn’t have black cord so I went to Spotlight. They didn’t have any cord the right weight either, but they did have black soutache braid. Soutache braid came home with me. (So did some Vogue patterns. Oops. But, $5 per pattern, they needed rescuing, right?)


Twenty squares of ponte were cut out.

I reinforced ten with fusible interfacing and then made keyhole button holes in them.

The other ten had cords attached to them, 5 with the toggles and five just as loops. These were my base layers.

The cords were threaded through the buttons holes, and then the two layers sewn together with edge stitching. The edges are raw, but ponte doesn’t fray.

I closed up the buttonholes with bar tacking close to the braid.

(whoa, that flash is bright!)

That meant the underside had two lots of bar tacking; one to attach the braid, and the other from closing the button hole.

I really didn’t know what I was doing here. I was on a roll though, and didn’t want to stop and consult google. Please pipe up with the right way to do this!

My five toggle and loop pairs were then sewn onto the coat.

I put the first pair on at the bust apex, the next at the neck and then used this spacing for the other three pairs.


I think I will tack the cords down to the edges of the ponte squares. They look a bit too dangly like this. What do you think?


Technical details

Pattern: BurdaStyle’s Long Shawl Coat 10/2012 #131. I used the stand collar from the Fur Blouson Jacket 10/2012 #129 rather than the scarf.

Size: 20 (petite 40) with a 3 cm FBA (to adjust for a DD cup). This added 3 cm width on each side, so I angled the side seam back in to the waist rather than having a vertical bust dart that went all the way to the bottom hem.

Fabric: Faux fur outer, main body lined with lightweight very stretchy knit, both from Gay Naffines most recent sale, ponte under sleeves also from Gay some years ago, and a poly satin python print sleeve lining from the stash. Collar ‘interfaced’ with shirting fabric from Turin.

There are pockets! Fur one side and that soft knit lining the other. Lovely and soft and cuddly.

The daffodil yellow skirt is new too, but this post is already too long.


Thanks for reading.



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Poodle coat construction

I am having a lot of fun with this project.


Stand collar ‘interfacing': not a fusible, but lovely Italian shirting cotton

There’s something appealingly subversive about using “couture” techniques when sewing faux fur that looks like a poodle.

Mais oui, pourquoi pas? Of course a poodle needs couture treatment. It is French, no?


Dart trimmed then catch stitched down

A light weight knit underlining hand basted to the fur

Shoulder seam reinforced with cotton tape

The pattern has a two piece sleeve and suggests loden on the underside. I like this detail.

I used a grey marl ponte from my stash (have I told you how much I love having a stash?).

The finished product

After stitching the upper and lower sleeves together, I shaved the fur in the seam to reduce bulk,

turned the seam towards the ponte, and catch stitched it down

The last of the python lining in my stash slithered into the sleeves


The main body of the coat won’t be lined so I sewed the lining and the sleeves together at the bottom, right sides together.

and because the lining was cut shorter than the sleeve,

(that’s my shadow on the carpet, not a dirty patch)

flipping to the right side gave a nice turn up, which I secured in place with some, Ahem, not very couture machine stitching.



This is BurdaStyle’s Long Shawl Coat 10/2012 #131 with the stand collar from the Fur Blouson Jacket 10/2012 #129 rather than the attached shawl/scarf


There is still plenty to do.

And there are bits of fluffy poodle fur everywhere :-)

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Chai Carrot Cake and Floral Nettie

This blog needs to be renamed from He Cooks… She Sews! to He Cooks…. She Shops, She Bakes and (just sometimes) She Sews…

The Shopping.

See previous post.

The Baking.

Chai Spiced Carrot Cake:

  • 3 eggs
  • 175g honey
  • 125g gluten free SR flour (2/3 cup)
  • 155g grated carrots (2 to 3 carrots)
  • ½ tsp ground cardamom
  • ½ tsp ground nutmeg
  • 1 teaspoon ground cinnamon
  • 1 teaspoon ground ginger
  • ½ tsp ground cloves
  • 1 tsp bicarbonate of soda
  • 200g almond meal
  1. Preheat the oven to 160°C (150°C fan forced). Line a 20cm cake tin with baking paper.
  2. Put all the cake ingredients in a large bowl, mix until well combined, then carefully pour the batter into the cake tin. Yes, that’s all you have to do!
  3. Bake for 40 minutes.

Recipe adapted from My Petite Kitchen Cookbook by Eleanor Ozich (Murdoch Books) accessed at

I iced mine with the same cream cheese icing as the ‘real’ red velvet chocolate cup cakes then sprinkled a mixture of pepitas, sesame and sunflower seeds on top.

The Sewing.

Another Nettie bodysuit

Worn here with Burdastyle’s soft pleated waist skirt 05/2011 #116A

Pattern: Closet case Nettie Body Suit.

Size: 2-18. Same as last time; graded from a size 12 shoulders to a 14 bust, then 10 waist and then out to 12 hips.

Fabric: A slinky polyester knit from Spotlight. The knit version of silk chiffon. Utterly horrible to sew.

This fabric has 80% stretch widthwise but only 40% lengthwise. Heather Lou says at least 50% stretch both ways is needed for the fabric to work as a body suit.

So I decided to experiment.

Not always a good idea. But hey, what was the worst thing that could happen? Sewing it and then having to chop it off the bottom to make a regular top?

I added 4 cm total to the length of the front and back pieces

  • 1 cm just below the scoop neck( just below the armscye)
  • another 1 cm mid way between armscye and waist,
  • another 1 cm just below waist
  • the last 1 cm between the waist and the bottom edge/hip

I also added 2 cm to the sleeves, but turned up the hem 1 cm more than the instructions, so really just 1 cm extra length.

It worked! This bodysuit is firm fitting but comfortable enough to wear.


And whats next?

I need to sew some of those lovely new fabrics.

First up is a ‘poodle’ coat for Felicity. The plan is to use this fabric

in BurdaStyle 10/2012 #131, without the scarf

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Textile investment

Is it sad that I took an annual leave day to get to Gay Naffine’s sale? I think anyone reading this blog will understand…

I met a few of you for the first time at the sale; that was so nice. And saw some ‘old’ friends too! It was particularly cool that yummymummy38 and I wore garments made from the same fabric bought from the sale a year or so ago.

So what did I get?

He who Cooks described them as tablecloths, curtains and chux wipes.


The greys and blacks:

  • Grey faux fur (Felicity sees this as an egg coat for her)
  • Cotton blend black and white jacquard (the ‘tablecloth’, I’m thinking a dress, but it would also make an awesome swing coat)
  • Grey laser cut poly blend (skirt, with contrast lining? jacket?)
  • Chiffon with pleather paillettes (dress in a simple shape for going out, its sheer and those discs have great movement)

Navy and blue (the ‘curtain’ fabric and the ‘chux wipes’):

  • Mechanical stretch poly blend self striped navy (probably a pencil skirt)
  • Plain navy wool (not sure what this will be, but this is a gorgeous fabric that would work for lots of things)
  • Blue and black poly blend jacquard (the ‘curtains’, but I am imagining a jacket and skirt, or a coat)
  • Blue and white silk chiffon (Felicity can see past the ‘chux’ and into a maxi dress for her)
  • Blue, navy and black rayon viscose blend double weave plaid (no idea what this is going to be, but I love this fabric)

 Summer, brights and maybe linings:

  • The plain red and plain white fabrics are rayon shirting weight (they might end up as linings. At $5 a metre they needed to come home with me and let me know later what they want to be)
  • Oyster and grey graphic print in silk (Felicity imagines a floaty summer dress for her)
  • Fine grey wool poly knit (this would be great stretch lining but could also be a top)
  • Lemon stretch cotton (summer skirt or shorts for Felicity?)


It was a fun morning with lots of other sewists, commenting on each other’s choices and hoping there would be enough left on the roll after the person being served had her piece cut…

I almost came home with a double faced window pane wool in grey and black too, but I was too slow. Gay came out and took the roll back with her; she’d just had a back order from a customer and needed to make another jacket.

Such an exciting morning!

Now, I need to know what you bought if you were there.

And if you haven’t been yet, off you go! The sale runs until Sunday.


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